Tuesday, February 21, 2017

JOE DOLCE AND LIN VAN HEK AT THE DAN

Hello Poetry Lovers
Come, Eat, Drink and Listen to Poetry,
put your feet up,
re-boot yourself with poetry
Read your poetry on the Open Mic.

Up Coming Features@THE DAN

Joe Dolce& Lin van Hek feb 25th
Kevin Brophy March 4th
Adrienne & Dragonfly March 11th (Chicago)
Sasha Cuha March 18th
Jeltje Fanoy & Friends March 25th

 
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SATURDAY Feb 25th                                

Dan Poets presents 
Joe Dolce and Lin Van Hek

with libby charlton as mc 

 
JOE DOLCE. Writer and performer of the most successful Australian song in history Shaddap You Face, a title held for 37 years straight. Poetry published in Best Australian Poems 2015 & 2014 and shortlisted for the Newcastle Poetry Prize and Canberra Vice-Chancellor’s Poetry Prize. Winner of the 25th Launceston Poetry Cup. Recipient of the Advance Australia Award. Presently on staff of the Australian Institute of Music, teaching Composition, Ensemble and setting poetry to music. Ginninderra Press is publishing his second poetry collection, ‘On Murray’s Run’, selected by Les Murray, in Oct, on his 70th birthday.

LIN VAN HEK. Published in Best Australian Poems 2015, Winner of the The Age Short Story Contest, founding member of the literary-music group DIFFICULT WOMEN. Writer of three novels: The Ballad of Siddy Church, Katherine Mansfield's Black Paper Fan and The Hanging Girl and two books of short stories: The Slain Lamb and Anna's Box. Co-writer, and lead singer, of the song, INTIMACY, included in the classic US sci-fi film, THE TERMINATOR one of 25 movies listed for preservation, by the US Library of Congress. In the last five years, she has been a prolific and successful painter, exhibiting at her gallery, Poet House, in Thornbury. Tomorrow, she is one of the guest readers at the 66th Women of Letters event at the Thornbury Theatre, at 2:30 pm

Dan Poets, every Saturday, 2-5pm.
Free Entry
Includes open mic.

Rotating MCs Anne, Libby, Norman and Steve.


Dan O'Connell Hotel, 225 Canning St Carlton.


Licensed premises. Kids welcome but must be accompanied by an adult.
 

Friday, February 17, 2017

Dear Poets, Academics, Artists, Friends,


You are warmly invited to the launch of my new book of poems A Personal History of Vision (UWAP Poetry) on Saturday 11 March at Gleebooks. Peter Boyle will be giving the launch speech, I’ll read some poems, and there will be a panel discussion on themes connected to the book with Brook Emery, Deborah Bird Rose, and Peter Boyle. The event is free but please RSVP through Gleebooks at the following webpage (or phone 9660 2333): http://www.gleebooks.com.au/BookingRetrieve.aspx?ID=279101  

Time: 3.30 pm for 4 pm start

Address: 49 Glebe Point Road, Glebe, NSW 2037
  
Please feel free to pass on the invitation to anyone who might be interested in this event.
 
I hope to see you there!
 
Best wishes,
 
Luke Fischer 

Thursday, February 16, 2017

Publishing opportunity for poets at Uneven Floor


Uneven Floor publishes a poem or two most weeks, and needs more well-written poems from published and unpublished poets. Previously published poems are welcome, as are poems in text, video, audio or image format. Read the editorial, poems and submission guidelines at unevenfloorpoetry.blogspot.com. Follow @unevenfloor_po on Twitter. Like facebook.com/unevenfloor. Please watch your step.

Saturday, February 04, 2017

Issa Haiku

tucking in
the blind priest...
winter rain


Issa - 1814
 
.座頭の坊中につつんで時雨けり
zato no bônaka ni tsutsunde shigure keri
 
Issa implies that the blind priest is a beggar, and his "house" (bônaka) is the street. Literally, bônaka can be the inside of a temple, but it can also signify the streets. Shinji Ogawa notes that naka ni tsutsunde means "holding or hugging, inside." He adds, "Though the phrase is used as a gentle expression, the haiku is one of harsh reality." The poem has one of Issa's most dramatic surprise endings. One expects a cozy, warm quilt to be the final image, going along with "tucking in," but instead he gives us winter rain, and, as Shinji puts it, "harsh reality."
 
http://haikuguy.com/issa/

Friday, January 27, 2017

JOYCE CAROL OATES - 20 Q&A - Witty!


Twenty Questions with Joyce Carol Oates


INTENSE Poetry Workshop with Les Wicks

INTENSE
– poetry workshop with Les Wicks-
nearly 6 hours plus substantial prior editorial work in an extraordinary locale.
 
Venue: Community Hall, Dangar Island
Sunday 26 March 10.45 to 5.00 with a 30” break for lunch (vegetarian, included in price).
 
This template has been a complete charge for everyone. One of the country’s leading poetry facilitators will be giving a workshop in Sydney.
 
This project will consist of three components.
 
Everyone gets in advance a strategy sheet on editing their work. Then, participants will send four poems (maximum 30 lines each) to leswicks@hotmail.com 14 days prior to the workshop. The poems with commentary will be distributed to the participants four days prior to their workshop. Participants should bring a copy of the entire commentary document to the workshop.
 
On the day of the workshop we will work intensively through each participant’s poems building on prior suggestions and experiencing a dynamic interplay of ideas/insights.
 
Should they so wish, participants will have a chance to have a piece published in the e-mag Australian Poetry Collaboration, which is widely read and archived by the National Library’s Pandora.
 
It is strictly limited to only 7 attendees.
 
Bookings must be made by 27 February.
 
Cost $90.
 
Getting there: train Hawkesbury River or drive Brooklyn. Ferry departs at 10am. Fares 7.40 or 3.70 Conc. each way. Arrive early/leave later - wander through this unique community, have a swim!
 
Further details & booking: leswicks@hotmail.com

Tuesday, January 24, 2017

New Poem

AFTERNOON TEA


Memory is the mothership.
I wash and rinse the pots and pans,
remembering the scraggly tall
European refugees working
in the kitchen of the boarding school
I went to in the Fifties. I can’t
remember ever knowing their names
yet here they work, crusty aprons on
and giant silver trays glinting
as they walk toward the spreading tree
where we queue in the shade, hungry
as growing boys can be, and take
one gigantic slice of fresh baked bread
spread with strawberry jam. Ah,
that jam! Memory
is the mothership that lowers
its gangplank under the tree where
we sit hurriedly eating the first slice,
hoping for seconds.



-          Andrew Burke

Tuesday, January 17, 2017

Poet Jacob Polley wins 2016 TS Eliot Prize for Jackself, 'a firework of a book'


 

SUNSET POETRY AND MUSIC

Join Rita Tognini, Meryl Manoy, Sally Gaunt, Carol Millner, Jan Napier, Mina Wallis, Andrew Levett, Coral Carter, Ros Franklin, Hessom Razavi, Derek Fenton, Mike Pedrana, Mike T, Jackson, Danny Gunzburg, Christine Della Vedova, Gary De Piazzi, Steve Finch and SPM for an evening of poetry and music with MC, Mar Bucknell.

Saturday 21st January
7.30 - 9.30 pm
Scarborough Library Amphitheatre
173 Gildercliffe St. Scarborough.

Inline images 1




Sunset Poetry is part of the Summerset Arts Festival and is supported by the City of Stirling

Thursday, January 12, 2017

Announcing the inaugural Australian Poetry & NAHR Eco-Poetry Award


                 In partnership with the Nature, Art & Habitat Residency (NAHR), Australian Poetry is pleased to announce an exciting new opportunity available exclusively to Australian Poetry subscribers – the inaugural NAHR Eco-Poetry Award (July 2017).

This prize is to be conferred to a single Australian poet currently subscribed to Australian Poetry who is able to take up residency (alone, or with a companion) in the village of Sottochiesa, Taleggio Valley, northern Italy over the month of July 2017.

All residency fees are waived, however it remains the responsibility of the winner to make their own way to and from Taleggio.

Set in northern Italy and situated in the heart of the Orobie Alps, the NAHR program offers a lively space to think and create, collaborate and interact. Our residents take full advantage of the surrounding natural landscapes as well as Italy’s rich material culture, which combines vernacular traditions with innovative approaches to space and place, people and their communities.
Further information on the NAHR program can be obtained here.

Alongside a project proposal outlining creative activities to be undertaken during the month’s residency in Taleggio (no more than one page), those interested in applying for this award are requested to submit a folio of up to five poems (no more than 200 lines in total) relating to habitat, ecology, biodiversity, space and place, the Anthropocene, culture and identity.

Please note, in order to apply for the residency, applicants must be current subscribers to Australian Poetry. If you are not currently a subscriber, the easiest way to subscribe is online.
To apply, please complete an application form and submit (alongside your folio of work and a project proposal) by Friday 10th February 2016.

Find the form here: APPLICATION FORM

The award will be announced by Friday 17th March, and results are to be published on the Australian Poetry website and newsletter.


Saturday, December 31, 2016

HAPPY NEW YEAR 2017 / ISSA HAIKU

clamoring geese--
over there is the year
ending too?
 
 
.さわぐ雁そこらもとしが暮るかよ
sawagu kari sokora mo toshi ga kururu ka yo
 
 
 
http://haikuguy.com/issa/

Sunday, December 18, 2016

POEM FOR MILLIE


There’s a dead dragonfly hanging
on to our car’s front number plate. One
fine wing blowing in the wind
stops me today as I grieve for Millie,
my faithful companion who died
quietly in my hands, her body
losing all the tension
of her final fevers. Death
is the last roll of life’s dice,
the final token we pay – yet
our greatest relief.

                                    I file this poem
under POEM FOR MILLIE yet
I know it is for me, perhaps
for you, to lessen the sorrow, yet
to remember Millie. My bare feet
are cold as I type, cold where she
would lie across and keep them warm.

Saturday, December 10, 2016

Friday, December 02, 2016

Tom Collins Poetry Prize 2016 - ENTER NOW

Ends on January 15, 2017        

$20.00 AUD
            
The Tom Collins Poetry Prize is an annual competition inaugurated by FAWWA in 1975 in memory of Australian author Joseph Furphy (1843 - 1912) who wrote under the name Tom Collins. It is one of Australia’s most prestigious poetry prizes, with first place being awarded a $1,000 prize.

This year the entry fee is $20 for up to three poems. So why not enter two or three poems instead of one – the total fee you’ll pay is $20!

The prizegiving will be at Voicebox in Fremantle in February 2017.

Entries close 15 January 2017, so get writing and enter now!

Terms and conditions:
Opening date: 22 November 2016
Closing date:  15 January 2017 (midnight AWST)
Line limit for each poem: 60 lines
Prizes: First $1,000; Second $200; Third $100. 4 x Highly Commended will receive certificates.

Entry Fee: $20 (maximum of three poems per poet)
  1. Entrants must currently reside in Australia.
  2. All work must be works of fiction and previously unpublished, including e-publishing. Work broadcast on radio, television or film, or performed as plays, are classified as published. Any story that has been awarded or commended in any previous competition is not eligible to enter.
  3. Any poem that is under consideration in another competition is ineligible.
  4. The Fellowship of Australian Writers Western Australia (FAWWA) reserves the right to publish the winning, second place and highly commended entries in its publications (including web site).
  5. Non-award winning poems will be responsibly destroyed after the competition. Ensure you keep a copy.
  6. The real name of the poet must not appear on the poem submission. All entries will be judged blind through the Submittable portal (identifying information will not be made available to the judge).
  7. Entries must be submitted via Submittable. Poems can be uploaded in .docx, .doc, .pdf and .rtf format (sensible font, font size and spacing to be used).  Each poem should be uploaded as a separate file. Entries submitted via regular mail or email are ineligible and will be responsibly destroyed.
  8. Maximum of three poems per author.
  9. Entry fee of $20 will be collected via online payment on Submittable. No other form of payment is acceptable. No refunds will be given. Payments submitted outside of Submittable or in relation to ineligible entries will not be returned.
  10. The judge’s decision is final and no correspondence will be entered into. 
  11. Shortlisted writers will be notified via email and the winner announced at the prizegiving at Voicebox in February 2017. Results will be published on the FAWWA website www.fawwa.org.
  12. FAWWA Committee members are not eligible to enter.
For any general queries contact FAWWA at fellowshipaustralianwriterswa@gmail.com