Wednesday, June 18, 2014

Australian Poetry presents Online Workshops with Les Wicks

AFTER “THE FLOOD 
OF THE MOMENT”


Facilitator: Les Wicks


August 7, 14, 21, 28


Whitman’s line about the process of creation nails it perfectly, but in Australia we know all too well that after every flood there’s a lot of cleaning up! Australian Poetry proudly presents an Online Workshop with Les Wicks focusing on polishing your work to a “ready for publication” level. Les reckons he never fails to get excited as each of his workshops commence because they are a journey of mutual support and discovery. Everyone (including him) gets inspired and sees new insight into poetry.

Throughout the month participants really develop a feel for where their own work is going, how they can further their publication profile and identify core strengths that can be brought to the forefront. Les Wicks has run workshops nationally. They are famous for their supportive strategies and incisive, practical orientation. You work hard on your writing – those poems deserve this, you deserve this.
Les Wicks conducts workshops around Australia. He has performed widely for over 35 years whilst having been published in over 300 different magazines, anthologies and newspapers across 19 countries in 10 languages. Les runs Meuse Press, which focuses on poetry outreach projects like poetry on buses and poetry published on the surface of a river. 

His 11th book of poetry is Sea of Heartbeak (Unexpected Resilience) (Puncher & Wattmann, 2013).

Prior to commencement participants are sent notes outlining possible strategies. This online workshop will run for four weeks and operates by participants emailing the tutor their poetry a few days prior to the first scheduled day of the workshop. The tutor will respond with feedback and direction either one to one or in a group context. Participants can either send new poems each week or continue to submit the reworked first poem, improving this piece based on feedback offered weekly.
Members $95 non-members $105 AUD
for more information.


London Magazine's Worldwide Poetry Competition


For the first time since its resurgence, The London Magazine will be hosting a worldwide poetry competition which will be open for all ages.

This will be a chance to be published in the most prestigious literary journal in the UK, which has been home to Sylvia Plath, Ted Hughes, Christopher Reid and many more, along with winning a cash prize. 

Deadline: 30th June 2014

Prizes:
1st Prize: £200 (and published in a future issue of The London Magazine)
2nd Prize: £150 (and published on The London Magazine website)
3rd Prize: £100 (and published on The London Magazine website)

Entry fee: £5 per poem.

Judges: Hugh Dunkerley and Michael O’Neill.

If you would like any further details, please see the website: thelondonmagazine.org/tlm-competition/the-london-magazines-poetry-competition-2014

Tuesday, June 17, 2014

larf from the New Yorker


More at http://www.newyorker.com/humor/issuecartoons/2010/12/20/cartoons_20101213#slide=22

AWARDS SEASON: CALLING BOOK DESIGNERS!

By  at 

How do you catch a designer’s eye?
With clever propaganda, like this:
At the end of 2013 the Australian Publishers Association decided to give away the annual book design awards, which it had hosted for a venerable 61 years (making it the longest-running book design awards we know of). The designers themselves decided to form the Australian Book Designers Association (ABDA) and resusciate the awards, for Year 62. (With entry fees half that of previous years.)
Thus:
All these posters are found at ABDA’s Pinterest with amusing designs Calling for Entries to this year’s awards.
So if you’re a book designer, go to ABDA’s submission page, and get cracking. Entries close 23 June. (Also, follow ABDA Facebook.)

See more HERE

Monday, June 16, 2014

'What're you lookin' at?'

Millie
family's best friend

Happy Bloomsday to y'all.

You can go to YouTube for many a remarkable reading/acting /documentary of James Joyce's Ulysses. Brilliant stuff!


Take time out to pay tribute to the great work.

a taste of the End:

watchman going about serene with his lamp and O that awful deepdown torrent O and the sea the sea crimson sometimes like fire and the glorious sunsets and the figtrees in the Alameda gardens yes and all the queer little streets and the pink and blue and yellow houses and the rosegardens and the jessamine and geraniums and cactuses and Gibraltar as a girl where I was a Flower of the mountain yes when I put the rose in my hair like the Andalusian girls used or shall I wear a red yes and how he kissed me under the Moorish wall and I thought well as well him as another and then I asked him with my eyes to ask again yes and then he asked me would I yes to say yes my mountain flower and first I put my arms around him yes and drew him down to me so he could feel my breasts all perfume yes and his heart was going like mad and yes I said yes I will Yes.

read it all at http://ebooks.adelaide.edu.au/j/joyce/james/j8u/

First published in 1922.
This web edition published by eBooks@Adelaide.
Rendered into HTML by Steve Thomas.
Last updated Thursday, February 27, 2014 at 14:31.
To the best of our knowledge, the text of this
work is in the “Public Domain” in Australia.
HOWEVER, copyright law varies in other countries, and the work may still be under copyright in the country from which you are accessing this website. It is your responsibility to check the applicable copyright laws in your country before downloading this work.
eBooks@Adelaide
The University of Adelaide Library
University of Adelaide
South Australia 5005

WA Poets Inc. is inviting poets to submit love poems

developing and promoting poets and poetry

2015 Poetry d’Amour Love Poetry Contest 
"let us embrace and enjoy both these forces that makes us human: love and poetry" - Dr Liana Joy Christensen, judge and editor 
"Poetry d'Amour 2014"

promotional-image_ver2PdA14
Over $700 in cash plus other prizes for selected awards 

• Top ranking and selected poems published in the anthology “Poetry
d’Amour 2015”
• Winners in the Open and Regional categories will have the opportunity
to perform their winning entry on Valentine’s Day, Saturday 14
February 2015 in Perth and/or Mandurah*

Additional prize categories include:
• An incentive award for entries from people under 21 years old
• City of Mandurah Award for entries from people living in the Peel
Region
• Regional WA Award for entries from people living in remote and
regional WA

Entries close at midnight on 22 August 2014 and may only be submitted by email to: poetrydamour@gmail.com

For details about the entry fee, conditions of entry, prizes and entry form,
please see: www.wapoets.net.au

*conditions apply

Sunday, June 15, 2014

New Writer Worldwide Competition

2014 Over The Edge New Writer of The Year competition

OPEN TO POETS  FICTION WRITERS WORLDWIDE

NOW TAKING ONLINE PAYMENTS  

COMPETITION JUDGE: ELEANOR HOOKER

Major Sponsor: Charlie Byrne’s Bookshop.  
Other sponsors to date:
Closing date: Wednesday, August 6th, 2014

In 2014 Over The Edge is continuing its exciting annual international creative writing competition. Since its inception in 2007, it has grown to become one of the most important competition’s for emerging writers in Ireland and internationally. The competition is open to both poets and fiction writers worldwide. The total prize money is €1,000. The best fiction entry will win €300. The best poetry entry will win €300. One of these will then be chosen as the overall winner and will receive an additional €400, giving the overall winner total prize money of €700 and the title Over The Edge New Writer of The Year 2014. The 2014 Over The Edge New Writer of The Year will be a Featured Reader at Ireland’s leading literary reading series, the Over The Edge: Open Readings in Galway City Library, on a date to be scheduled in Winter 2014/15. Salmon Poetry will read, without commitment to publish, a manuscript submitted to them bythe winner in the poetry category. Doire Press will read, without commitment to publish, a manuscript of short stories submitted to them bythe winner in the fiction category. The overall winner will receive a hamper of books from the famous Kenny’s Bookshop of Galway, Ireland. The winner in the poetry category will have one of the poems from her or his winning entry published in the January 2015 issue ofSkylight47 magazine.

Entries should be sent to Over The Edge, New Writer of the Year competition, 3 Carbry Road, Newcastle, Galway, Ireland. Entries will be judged anonymously, so do not put your name on your poem(s) or stories. Put your contact details on a separate sheet. If you live in Ireland and wish to be informed of the results by post, please enclose a stamped addressed envelope. OTHERWISE, YOU DO NOT NEED TO ENCLOSE A STAMPED ADDRESSED ENVELOPE. 

Criteria: fiction of up to three thousand words, three poems of up to forty lines, or one poem of up to one hundred lines. Any of the aforementioned is one entry. Multiple entries are acceptable but each must be accompanied by a fee. 

The fee for one entry is €10. The fee for multiple entries is €7.50 per entrye.g. two entries will cost €15, three entries €22.50 and so on. Fee payable by cheque or  money order to Over The Edge. The competition is open to writers worldwide. We accept payment in Dollars, Sterling, Australian Dollars, Canadian Dollars and so on. Writers from outside the Euro area can calculate the payment for their entry here http://www.xe.com/ucc/ WE ALSO NOW ACCEPT ONLINE PAYMENTS. See the below for details. If you pay the entry fee online you must still post us a hard copy of your entry/entries and enclose with it a note saying ‘entry fee paid online’. PLEASE INCLUDE THE EXACT NAME IN WHICH THE ONLINE PAYMENT HAS BEEN MADE SO THAT WE CAN VERIFY.

Saturday, June 14, 2014

19th Annual conference of the Australasian Association of Writing Programs invites submissions

You have until August 1. Submit!

Call for Papers
The 19th Annual conference of the Australasian Association of Writing Programs invites submissions of abstracts for papers on the theme of:
Minding the gap: Writing across thresholds and fault lines
The AAWP invites submissions of abstracts to a conference at Massey University Campus, Wellington, New Zealand, from 30 November- 2 December, 2014. 

Conference theme: Minding the gap
We invite papers and presentations reflecting on creating, editing, teaching, and researching writing in any genre, including poetry, script, prose, fiction, non-fiction, creative non-fiction and journalism.

You may like to consider the following thematic prompts;
writing across the gaps
reading between the lines
unearthing writing
writing across thresholds
fault lines…
and storylines
building and rebuilding writing
survivor stories
gap days, months, years/ strategies for writers

In order for delegates to present they must be members of the AAWP at the time of the conference and the registration fee will include 1 year’s membership fee (for example of $60.00 for full salaried membership or $30.00 for concessions). 

Suggestions for Panels of 3-4 presenters on relevant themes or genres are also welcome.
Postgraduates
Postgraduates are encouraged to submit to the conference. If this is your first time presenting, then we strongly recommend submitting to the general non-refereed stream.
How to submit your abstract:
There will be three streams for submissions; all submit to gail.pittaway@wintec.ac.nz initially, indicating preferred stream, X, Y or Z.
X Refereed papers, which will be accepted as abstracts/proposals published in the conference booklet, with full paper submitted for double-blind refereeing for consideration for publication.
Y Non-refereed papers which will be accepted as abstracts/proposals and published in the conference proceedings.
Z Creative papers which will be accepted as abstracts/proposals to be published in the conference proceedings and are eligible to be submitted for consideration for publication.
Please submit an abstract of no more than 200 words, with a biographical note of no more than 120 words, by 1 August 2014.
Remember to specify whether you wish to be considered for the Refereed stream (Stream X), the Non-refereed stream (Stream Y) or the creative stream (Stream Z).
Key Dates:
1 August, 2014: extended deadline
30 September, 2014: refereed papers due
1 October, 2014: online registration commences, details to follow
10 November, 2014: Online Conference registration closes (additional registration available during the conference)
Conference committee;
Donna Banicevich Gera, Victoria University/ Whitireia Polytechnic,
Thom Conroy, Massey University (Palmerston North Campus),
Hannah Gerrard, Massey University (Wellington Campus),
Ingrid Horrocks, Massey University (Wellington Campus)
Gail Pittaway, Waikato Institute of Technology and AAWP executive.

In the poetry of the poet ...

In the poetry of the poet and the thinking of the thinker, there is always so much worldspace to spare that each and every thing—a tree, a mountain, a house, the call of a bird—completely loses its indifference and familiarity.

– Martin Heidegger,  The Fundamental Question of Metaphysics

Friday, June 13, 2014

Larf Gallery


The 2014 Trudy Graham-Julie Lewis Literary Award for Prose is now open for entries!



The competition has an open theme and is open to both fiction and non-fiction entries up to 2000 words per entry. All writers currently living in Australia are eligible and may submit up to three entries per writer. Entries must be unpublished and not have won any prior recognition or awards in other competitions. See the competition Rules of Entry for details.

Awards on offer:
1st Prize: $400, 2nd: $200, 3rd: $100
Judge's Encouragement Youth Award (12-18 yrs): $100
Four Commended and Highly Commended Certificates

Entries must be post-marked by the closing date: 1 August 2014

See the PCWC website for entry forms and further details:

http://www.pcwc.org.au/?news&nid=114

Six Works by Ariel Gonzalez Losada


Ariel Gonzalez Losada, composer, visual artist. Born in Buenos Aires in 1978, city where he studied music and where he currently resides. His musical and visual interests are marked by the behaviors, processes and structures on the natural phenomena, as well as by the underlying gestures to the written word, vestiges of a nonexistent alphabet.


Thursday, June 12, 2014

What’s Lost as Handwriting Fades



Does handwriting matter?
Not very much, according to many educators. The Common Core standards, which have been adopted in most states, call for teaching legible writing, but only in kindergarten and first grade. After that, the emphasis quickly shifts to proficiency on the keyboard.
But psychologists and neuroscientists say it is far too soon to declare handwriting a relic of the past. New evidence suggests that the links between handwriting and broader educational development run deep.
Children not only learn to read more quickly when they first learn to write by hand, but they also remain better able to generate ideas and retain information. In other words, it’s not just what we write that matters — but how.
“When we write, a unique neural circuit is automatically activated,” said Stanislas Dehaene, a psychologist at the Collège de France in Paris. “There is a core recognition of the gesture in the written word, a sort of recognition by mental simulation in your brain.
“And it seems that this circuit is contributing in unique ways we didn’t realize,” he continued. “Learning is made easier.”
Read on HERE

Wednesday, June 11, 2014

Larf ...


New Canadian Poetry Magazine

a small poetry magazine,

The Newcastle Poetry Prize

The Newcastle Poetry Prize is one of Australia's oldest & 

most distinguished literary prizes 

~ celebrating 33 years in 2014
~ $20,000 prize pool awarded by the University of Newcastle
~ Entries close 5pm EST, Friday 20th June, 2014

Write
A poem, or suite of poems, up to 200 lines
Win
First prize: $12 000
Second prize: $5 000
Third prize: $1 000
Local Award: $500
Harri Jones Memorial Prize (for a poet <35 font="" years="">
Hunter Writers Centre members' award: $200
(members who have been shortlisted or awarded in the past are excluded from the HWC members' award)


The shortlist of poems will be published in the annual anthology
Closing Date: 5pm EST, Friday 20th June 2014

Multiple entries accepted. $33 per entry.
Entries are judged anonymously

Click here to read the history of the prize

Picture
The University of Newcastle provides $20 000 prize money for the Newcastle Poetry Prize
Picture







ArtsNSW have supported Hunter Writers Centre for many years via the annual grant program












La Mama Theatre presents ... UNSEX ME

“STRUCTURED WITH ELEGANCE & PERFORMED
WITH EX- UBERANCE, UNSEX ME IS BRAVE, CLEVER AND FIERCE”

- REALTIME ARTS

UNSEX ME

June 11 - June 15 @ La Mama Courthouse

 
Having played to sell out houses in Canberra, disturbed Perth and won acclaim in Sydney, Queer Melbourne Theatre icon Mark Wilson returns for one week only to La Mama Courthouse as a part of MKA’s HYPRTXT Festival.

Daughter of a theatre legend and a prima ballerina, award-winning actress Mark Wilson dissects her own story and her next job: being directed by her father as Lady Macbeth. Grand performances, whispered confessions, and booming self-mockery combine as she prepares, promotes and performs the role of her life.

Unsex Me has a reputation for shock. Audience walk outs every night, and sold out shows where ever it goes. Last year it had to move to a larger venue during Melbourne Fringe and for this one week season tickets will disappear quickly. 

 

Written and performed by Mark Wilson
Set and costume design by Amaya Vecellio
Creative producer: Tobias Manderson Galvin
Photos by Sarah Walker
A production of MKA: Theatre of New Writing

Part of MKA's 
HYPRTXT Festival
 

More info, including performance times HERE

Saturday, June 07, 2014